Wild Hairs from The Beard

"Holy Sis Boom Bah, Batman," Indeed!

2010-07-28T11:17:00.000-07:00

Actress/singer/songwriter Donna Loren is a pop culture princess. Her credits are collection of 1960s pop pleasures: appearances on SHINDIG, THE MONKEES, DR. KILDARE, GOMER PYLE, USMC, THE MILTON BERLE SHOW and as a performer in such swingin’ films as PAJAMA PARTY, MUSCLE BEACH PARTY and the ultra-classic BEACH BLANKET BINGO, not to mention her time as the one and only Dr. Pepper Girl.

But our interests here lay in her performance in the legendary 1966-68 BATMAN TV series, as Susie the Cheerleader. How many other actresses can claim to have been not only a moll of the Joker but also the target of his deadly desires? Donna Loren can and receives her due credit in my upcoming book, “Gotham City 14 Miles,” due out this December.

We checked in with the beautiful Ms. Loren for a brief Q&A on her own visit to Gotham in 1966’s “The Joker Goes to School/He Meets His Match, the Grisly Ghoul.”

Jim: Ms. Loren, How did you get the part of Susie the Cheerleader and do you remember how you felt when you were cast?

Donna Loren: At that point in my career I interviewed with William Dozier and I was hired. He liked the way I read for the part because I camped it up. It always feels good when you put an effort in and are rewarded although I did not know until my first day on the set how big a hit it was.

Jim: What was it like being on the set of BATMAN during filming? Was it different than other 1960s shows you were involved with?

Donna: SHINDIG, THE MONKEES, DR. KILDARE; all had one thing in common with BATMAN: they were hits and I was privileged to be on them.

Jim: You interacted with both Adam West and Burt Ward - what were they like at that time? Do you remember how you felt acting with them while they were in costume?

Donna: Actually, I only saw them in costume when we were rehearsing and shooting each scene. I was impressed by Adam West’s chivalry. What a gentleman!

Jim: You also worked alongside Cesar Romero as the Joker - what was he like? It’s said he was able to take catnaps anywhere at any time - do you remember this or any other anecdotes about working with him on the show?

Donna: Caesar Romero was a pro. A veteran actor and gallant performer, his laugh was intoxicating. Even through his mask of white and wig of green he was handsome and stately. He did have a bit of a breathing problem and always swigged on his supply of oxygen.

Jim: Do you remember any of your other co-stars or even the production team? Anything that sticks out about them - or even any props or sets you worked with?

Donna: My most challenging day was learning the "cheer". I started early in the morning on a concrete floor practicing a train rhythm which taxed my muscles, so it was Bengay to the rescue.

Jim: How do you look back at your role on BATMAN today? Do your fans still mention it you?

Donna: It is thrilling to be a part of pop culture and BATMAN, since the character has crossed over into several generations and is still strong. Fans do love it and whenever a sequel comes out or a rerun on TV appears, "Susie" is resurrected. HOLY SIS BOOM BAH, BATMAN!!!

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Many warm and sincere thanks to Donna for taking the time for a quick walk down Bat-Memory Lane. Be sure to visit her official site, http://www.donnaloren.net, and pick up her new CD “Love it Away.”

And if you just can't get enough of Donna, check out Sam Tweedle's own check-in with the Dr. Pepper Girl:

Pop Culture Addict

GOTHAM CITY 14 MILES

2010-06-16T06:23:00.000-07:00

For the past year I've been working on a project that qualifies as an extreme "labor of love" - I'm compiling and editing a book of essays about the 1966-68 BATMAN TV series.

GOTHAM CITY 14 MILES, due out December 2010 from Sequart Publications, spotlights 14 essays from various writers (myself included) that strive to take a new, fresh look at one of the most cherished - yet reviled - TV series of all time. Personally, I've loved the show almost my entire life and it made me the Batman - and comic book - fan that I am today. And yet others hate it. Loathe it. Why? The show deserves a new forum for discussion and examination and GOTHAM CITY 14 MILES, if I've done my job, will be that forum.

This isn't a love-fest, mind you; there are more than a few critical opinions in the book. I like to say that GOTHAM CITY 14 MILES is for people who love the show...and hate it. What I hope is that by the end of the book the reader may walk away with a few new opinions about BATMAN '66 and its current standing in pop culture.

Over on the GC14M Facebook page, I've been revealing the book's chapters - and their respective writers - one-a-week, to build some excitement for the December release. Here's what's been revealed so far:

Mile Marker #1: "Bats in Their Belfries – The Proliferation of 'Batmania'" - by Robert Greenberger. Bob's essay covers the genesis of the show and the explosion - and quirky substance - of Batmania. From the show's popularity to the spinoff products and beyond, he characterizes this particular form of insanity that gripped the country - the world! - from 1966 to 1968.

Mile Marker #2 - "Batman – From Comics Page to TV Screen" by Peter Sanderson. The prolific comic historian and archivist delves deep into BATMAN '66's comic book roots, detailing all the published stories that inspired episodes and offering speculation and insight on other comic book aspects of the show.

Mile Marker #3 - "Such a Character – A Dissection and Examination of Two Sub-Species of Chiroptera homo sapiens" by Jim Beard. Comics historian and writer Beard sets up criteria to identify the "true" Batman and compares and contrasts the Adam West interpretation to the original 1939 Dark Knight - the results of which may surprise you.

Mile Marker #4 - "Notes on Bat-Camp" by Tim Callahan. Prolific essayist and comics historian Callahan address Susan Sontag - the infamous definer of "Camp" - in a series of incisive and often-hilarious notes, in an effort to answer that ages-old question: "Was BATMAN '66 truly Camp?"

Mile Marker #5 - "Aunt Harriet’s Film Decency League" by Becky Beard. Musician and raconteur Beard explores the amazing caliber of guest-actors the show attracted with a collection of brief biographies of friends and fiends - with a few insightful comments along the way.

Mile Marker #6 - "POW! – Batman’s Visual Punch" - by Bill Walko. Graphic designer and pop historian Walko looks into the impact of the show's vibrant visual design, highlighting such memorable facets as the unique camera shots, the use of color, the animated beginning and creative costuming.

Mile Marker #7 - "Known Super-Criminals Still at Large" by Chuck Dixon. Fan-favorite Batman scribe Dixon opens the cell door on a crafty coterie of crazy criminals, comparing and contrasting TV versions with their comic book progenitors - many of which he wrote himself. Dixon also calls out a few favorites among Batman's on-screen arch-enemies, a few also-rans and even some could-have-beens.

Mile Marker #8 - "May I Have This Batdance?" by Michael Miller. The Editor-in-Chief of Toledo Free Press spins a few platters in a musical look at BATMAN 66's sounds and songs. Miller not only examines the famous theme-music's undeniable impact but also its inspiration for a bevy of bat-spinoffs and confounding crooners.

'GO HERO' Interview

2010-05-24T16:24:00.001-07:00

Well, they say the good things in life are worth waiting for - this is an interview I conducted with GO HERO's head honcho Steve Forde back in 2008. That's right: 2008. For reasons that are still beyond me, it was sat on by a venerable and supposedly honorable 'news' website that had promised to post it and never did. With all the hub-bub recently over Go Hero's new Shadow figure and other cool new releases, I remembered I still had this. The news is old, I guess, but maybe it will offer a unique look into Steve's mind two years ago - or maybe it will just be fun. You decide! And apologies to Steve!

Jim Beard – 7/8/08

Go Hero! – Interview with Steve Forde

While perusing the crowded aisles of vendors at this year’s Wizard World Chicago con I stumbled upon a small oasis in the midst of the chaos. There I found a neat little table occupied with some of the nicest 1/6 scale action figures I’ve ever seen – and the man behind them, both literally and figuratively. That would be Steve Forde and his company, Go Hero!

Steve and I got into a fantastic conversation about the Buck Rogers figures he was showing, what he went through to get them made, and our own shared admiration for all things pulp. After only a few minutes of talk I knew this was a venture that deserved more attention and I knew that readers of Super-Articulate would enjoy Steve’s journey as much as I did.

If you read only one interview today - read on! The 25th century awaits!

Jim Beard – Steve, what's your background as a genre fan? What's influenced your past and current projects with Go Hero?

Steve Forde - I grew up on a steady diet of robots, superheroes, and monsters. My literal first word was Batman! I cannot count the hours spent with Star Wars audio tapes (pre VHS), Godzilla movies, and Adam West "climbing" up the side of a building! My older brothers also imparted to me a love for Speed Racer and Ultraman as well!

So in my adult years I started Go Hero as a platform for me to create my own characters. In the process of developing Plutia (ploo-sha), a film and toy line about the daughter of a 30s style Flash Gordon or Buck Rogers type character, I heavily researched the original sources of retro sci-fi. In so doing, I rediscovered my affection for retro Buck Rogers.

JB – I just realized your initials are “S.F.”! Too cool! So, how did Go Hero get its start?

SF - Like a million other artists / designers, I have ideas for characters. Maybe 20% of those designers will make a drawing and really try to show it to the world. But at the time I was among only about 25 other companies / designers were willing and able to make an actual toy. Making a toy is a different level of commitment, not just a sculpture, but producing an original design in toy form and taking it to market - it shows that you are
serious.

My first character was Mechabot (Mechabot.com). It was a 60s-70s Japanese style, 8.5" vinyl robot, with 12 points of articulation. People really responded well and I was actually in discussion for cartoons, comics and film within days of debuting it. To my surprise and delight, we sold out of the first version in 1 day and it won toy of the year from a figures.com affiliate - Toy Toons.

In the next couple of years the offshoot of Designer Toys really bloomed. I think of it like birth of "grunge" music in Seattle. There were a handful of people all doing something interesting and we sort of banded together at SDCC for the first Cultyard. Then came books, magazines, and a lot more toys. I pursued a lot of development rabbit trails and slowly released Tentikill: the Sea Monster, Yira: Dragon of Doom, and a reissue of Zagora.

JB - What if any action figures of the past or present have inspired your own
products?

SF - I love vintage Bullmark Japanese vinyl and enjoy seeing a Godzilla figures that look very little like the film incarnations. That to me is similar to the modern toy designers. When a company or artist interprets the character and that interpretation becomes fused in the mind of a child with the actual character they saw on the show or film. I think that is cool that a single designer can have the same effect as a corporate committee.

I am also a collector of Medicom RAH figures. Medicom understood detail and proportion before others caught on. Hot Toys has become a force as well, their attention to detail is exquisite. I remember buying the 12" McFarlane style Spiderman and then Sideshow announced they were distributing and I could buy it for less! It was a good day, even though I lost about $50.

There was also a company called Toys McCoy who made an Indiana Jones figure that had incredible detail. It amazed me to see a company create something when there was no new media to speak of. It seemed they just wanted to pay tribute to a great character and not about just making any figure, but exploring how far they could go with their craft. My wife had a difficult time when I preordered that at about $300. She however understands now.

JB – Ha! If only all spouse understood… How did you choose Buck Rogers (and the 1930s-40s) to start your pulp odyssey?

SF - There are moments in pop culture when styles leap forward and there are actual people behind those leaps. I like Sound Garden, who came from Led Zeppelin - the original innovators. In the same way, the world loves Star Wars in large part because of Flash Gordon and Buck Rogers. Many of the designs are distilled, timeless, influential, and still hold up to this day. Buck's chest emblem leads to Iron Man's chest emblem. The embellishments on the helmet are similar to Gatchaman. The visor is Cyclops from X-men. We all love great hero designs and so many of them started with Buck Rogers.

Go back and look at those designs by Calkins and the Flash Gordon serials and you will never look at Star Wars the same way. One day it dawned on me that no one had yet made an accurate version of these characters. I conferred with members of my unofficial board of directors Mark Nagata (Max Toy Co) and Patrick Ma (Rocketworld) and they confirmed my thoughts. I knew I had to do it!

JB - Can you tell us a bit about what you went through to get the permissions for Buck Rogers and for your Buster Crabbe figure?

SF - This is a long story that starts with a Gun. In my own research I went to purchase an Atomic Disintegrator on Ebay. It is by all counts the best ray gun of all time. It represents the best in design and function. They would show up and consistently sell for nearly $200 for ones that were not even fully working. I could not believe that after 70 years it was never reissued. I thought, "This has to be done." Others had tried and it did not happen and I have a knack for pulling together difficult projects.

I called the Daisy gun corporation - who put me in touch with their Museum. They were all for the idea, but I had to get permission from the Buck Rogers' people - whoever they were. I found the name of the people who owned Buck - The Dille Family Trust. Myself and Mark Nagata went on Google and Wikipedia. I found the name Flint Dille, grandson of the original owner, and some contact info. I cold-called him. He loved the idea of bringing the gun back, but he wanted to make sure it was done right. Quickly the project included 1:6 scale figures and all was a "go".

Little did I know that Flint Dille was an influential role in many other properties that I love including Transformers cartoons, G.I. Joe cartoons, and various movie based video games. I popped in my Transformers DVD, and there is the guy I am working with. As if that were not enough his sister started T.S.R. This family was royalty in my mind. The next time we spoke, I think my voice cracked and I felt 12 years old. I have since regained my composure and they continue to be a delight to work with.

Once I committed to the 1:6 scale arena, it was the natural choice to do what came next in Sci-Fi - Flash Gordon. But not just any version of Flash. I wanted to create the version based on Larry "Buster" Crabbe. Buster Crabbe was the Harrison Ford of the day. He was the first action hero – starring as Flash Gordon, Buck Rogers, Tarzan, in westerns and as himself in his very own comic books! Again, no one had done real justice to him in this 1:6 scale realm.

I contacted Hearst (King Features) and they would not touch it because of the age of the serials, it would be too problematic to do the project. Unless...I got permission from the Crabbe family. And so...

I found a biography written about him and contacted the author who put me in touch. I spoke to Mr. Crabbe's son and daughter. It was like a lucid dream hearing the voice of his son Cuffy Crabbe, who sounded exactly like him. They also are a delight to work with, loved the idea, and off we went.

JB – That’s an incredible story, Steve. Other than the licensing saga, what have been the most challenging aspects of creating these figures?

SF - Time management. I know people want them, and I know I can make them, especially working with great licensors and my partners D2D (day2daytrading.com) former BBI and Hot Toys designers. This has been 9 months in the making and somehow I am still trying to keep the lights on while this is developing. So it is a lot of 18 hour days. The other good thing is the projects have evolved. We are developing our own 1:6 scale bodies and the sound device to really show we are innovators. But innovations take time. This is truly a labor of love and I am honored to be entrusted with these international icons.

JB – As I can imagine you are! Can you tell us a bit about the audio feature of the figures?

SF - Essentially we have developed a 1 Gig MP3 player that fits in the abdomen of the 1:6 scale figure. With it you can listen to the old Buck Rogers radio shows, control volume, fast forward, rewind. And it has a USB to connect to the web and download more files. It will be perfect for Buck and other media driven characters.

JB – Here’s the important part, Steve - when and how can people get these figures?

SF - The figures will first be available on our website - www.GoHero.com. And we are in talks for distribution.

JB – You’ve already had a full course of adventures, but what does the future hold for you, as far as projects, dreams, etc?

SF - Well, along with the theme of iconic innovators - we are working with Bluewater Production to bring collectibles based on their titles including the Ray Harryhausen Presents series.

We are developing:
Sinbad w/ Humunculos 1:6 Scale Figures,
Cyclops w/ Club 1:6 Scale Figures
Skeleton Warriors 1:6 Scale Figures
Perseus w/ Bubo 1:6 Scale Figures
Apparel and MORE!!!

We are in development on some other retro characters as well as original properties. We will be showing the Perseus at SDCC in a few weeks along with a Buck limited edition mini-gun exclusive. And that is just the beginning!

JB – Whew! More than I imagined! Thanks for all the good words and works, Steve, and we’ll keep checking in with you as things progress – Happy Skies!

Puzzle Me This, Batman!

2009-06-25T12:23:00.000-07:00

Yesterday I sat down and built a puzzle I haven't assembled in about, oh, thirty years or more. My original's been gone for about that long, lost to the ravages of time and moving, but I recently won the same set on eBay. It's a beaut and exactly as I remember it, a Batman jigsaw from the height of 60s Batmania. Colorful and goofy, it was one of my most favorite, right next to my Major Matt Mason puzzle.

As I sat on the floor of my studio room building my puzzle, it all came back to me. My hands moved of their own accord, putting piece with piece, as if the image was somehow ingrained in my fingers and they knew just how to assemble it. Capturing little bits of one's childhood can be a challenge as one gets older but the feeling as I built my puzzle yesterday, at the tender age of 44, was sweet. Maybe a tiny bit bittersweet, but worthwhile overall.

The Little Woman suggested I play a CD while I puzzled my way through my project and for some reason I chose the Monkees' "The Birds, the Bees and the Monkees." Then it struck me: this was an album that my father owned and played often. There was a very good chance that I was duplicating a convergence of sound and sensations from the late 60s/early 70s, of my young self building the exact same puzzle while listening to "PO Box 9847" and "Daydream Believer" in the background. It was a heady thought, full of a certain kind of magic. Fleeting but fulfilling.

Once I had completed my Batman puzzle I sat back and remembered certain things about the image that my young self once pondered. Why was the Penguin missing his trademark top hat? Why was Robin so inept at catching the wily bird? What would happen once Batman connected with his Baterang? Why did it look like the Caped Crusader was wearing socks?

I savored the image and the constructing thereof and then put the puzzle back in its box, piece by piece, dispensing with my childhood manner of impatiently picking up the entire things and "folding" it back in the box and ruining said pieces. No, I'm a bit wiser these days - though still youthful enough to appreciate the simple joy of building a puzzle. Holy Memorabilia!

Batman Dies, Returns

2009-06-19T12:19:00.000-07:00

A new article of mine for the Toledo Free Press on the recent Re-Batting of the Dark Knight:

Article

Please keep in mind that these articles are aimed primarily at those who don't normally read comics. Enjoy.

Writing Ain't Nuthin' But a Sandwich - Hold the Grey Poupon

2009-04-09T08:55:00.000-07:00

Been a while - how does everybody keep up with these things? - but I realize now that I have a bunch of writing projects in the works and though I can’t give complete details on everything I thought I could at least talk a bit about them – and hopefully convey my enthusiasm for this wonderful time as a writer I’m entering.

Where to start?

June’s ALL-STAR COMICS COMPANION VOL. 4, from editor Roy Thomas, contains an article by me on Humor in the All-Star JSA stories of the 1940s. This is my second article for Roy’s wonderful Companions and I’m honored to be a part of them – especially since Vol. 4 is to be the last.

HAWKMAN COMPANION author Doug Zawisza and I are in the middle of writing a book for the McFarland company that will detail – and I mean detail – an entire form of super hero stories for one particular major comic company. We’re talking issue-by-issue commentary and all, and that should be out sometime in 2010. McFarland books are pricey but they make there way into libraries and schools and are really bringing a wealth of pop culture information in a scholarly way. More on this one in the next few months – fingers crossed.

FLASH COMPANION author Keith Dallas is kicking off a series of tomes for TwoMorrows and has wrangled a fantastic group of writers to tackle each volume – including Yours Truly. When I say the scope of this project is big, I mean BIG. As in, it doesn’t get much bigger when talking about the comics industry. Look for this to begin, hopefully, in 2010 with official announcements coming this summer, I believe. Comic book fans of all ages should find something in this project to interest them.

The really great people at Sequart and I have just started down the road on a book of essays I’ll be editing, centered on a comic-related subject that’s near and dear to my heart. This one…sigh…this one will be a true labor of love for me. A thank you note to something that made me the huge geek I am today. I’ll not only be editing what is shaping up to be an incredible line-up of contributors, if I do say so myself, but I’ll also be writing two of the essays myself. If you haven’t heard of this company before, take a look at what they’ve come out with so far and what they’ve got on the way. Look for more news on my book later in the year, if all goes well.

I have a pitch in currently to one of the Top Six comic companies for a limited series – and I’m on pins and needles over it. I’ve gotten over a hurdle or two already with it and it looks like its doing okay but the Waiting Game has been particularly hard this time around and I have to push the pitch to the edges of my consciousness or I won’t be able to function day-to-day. Wish me luck, folks! This is a story about a group of characters that I’ve loved for years but don’t always get the exposure I think they need and deserve. If this project launches I'll be blogging its progress right there at The Beard.

One of my own creations has made a bit of progress in recent months, as I’ve found a very, very fine penciler, Eric Johns, whose excited about the concept and has already done five full pages from Issue #1 that we’ll be using to “shop” the project around. The pages are being inked as I type and once the lettering and coloring are finished it’s off to the Races with it – again, wish me luck! Here’s a sneak-peek for you!

And as always I continue to provide weekly content for Marvel.com – and I’m here to tell you that I work for and with a solid bunch of professionals who’re passionate about what they do and above all take seriously the fine art of funny books. They are True Believers in every sense of the word – here’s to Ben, Ryan and John – among many others!

Whew! How did I get involved in so much STUFF?!?! All this and a full-time day job and I must be insane…but I love comics and I love talking about them and above all - WRITING about them.

My Very Own Universe

2008-10-06T15:47:00.000-07:00

Here's the latest in a new column I've been doing for a few months with the great bunch of people over at Fist Full of Comics & Games. They came to me and asked if I'd do something with them and we came up with the idea of me spouting off about the DC Universe - my DCU, to be precise, the parts of it I buy and read. Gotten some pretty good reactions so far. Give a read and see what you think.

Gigs-a-Go-Go

2008-09-20T13:00:00.000-07:00

Just recently had some happy news on a few of the writing fronts:

I had an article accepted by Roy Thomas for the ALL-STAR COMPANION VOL.4. That will be out sometime early next year - possibly in January or February. Got the piece in just under the wire and I'm thrilled to be part of the book.

Doug Zawisza, the editor/writer of the upcoming HAWKMAN COMPANION, and I just had a proposal for a book picked up by a publisher. More news on this when we have a better idea of when it's coming out. Its comic-related, natch!

Divine Intervention: The Uncut THOR

2008-09-01T14:36:00.000-07:00

May wonders never cease. Miracles do happen.

While perusing my comics the other day – research for a Marvel.com article – I came across something that I was sure didn’t exist: an uncut 1970s comic from my own childhood. Why is that so amazing?

I cut up all my Marvels for their Marvel Value Stamps.

Those of you under the age of 35 or so may ask, “What’s a Marvel Value Stamp?” Take a look here and when you’re done you may get the impact of what I’m saying. My copy of THOR #224 from 1974 has an intact lettercol with its MVS, #87 from Series A, in perfect condition. I about swooned when I discovered it. Stunned, I stared at it for several minutes, reveling in its pristine goodness and wondering how it ever escaped the scissors.

Every once in a while I chide myself out loud for cutting up my comics, but The Little Woman always reminds me that not only was I a child at the time but that they were meant to be cut up. Yeah, I know; that’s tantamount to treason these days but back then it was the thing to do – heck, Marvel would even sell you a stamp album into which you could paste those little squares of pulp. Funny times. More innocent times, but also funny. I often miss them.

I’d also like to note that this is the one and only issue of THOR that I own from my childhood. See, my father bought me all my comics back then, from 1972 til about 1978, and to this day I often find it difficult to figure out how he’d choose one comic over another to buy me. “Sporadic” would be a good word to describe some of the runs of titles in my collection, and though I know some of that was due to the crummy distribution of the era – drugstores, pals, drugstores – some of it was also Dad’s perception of either what I’d like or what he himself liked. DC comics came out on top, natch, and Marvels came in second. AMAZING SPIDER-MAN, MARVEL TEAM-UP, and AVENGERS were good bets and I even got the occasional CAPTAIN AMERICA and IRON MAN. The monster and devil stuff was right out, usually, but a stray HULK or DAREDEVIL could be counted on from time to time - but THOR? Nopers. One issue and one issue only. What was it about the God of Thunder that turned my father off? Did its covers denote non-super hero action, of which Dad himself was fond? Too many scantily-clad ladies? Too many scantily-clad men? I don’t know and I’m not asking the 72 year-old curmudgeon.

The mystery will simply have to prevail. For now, I get to gaze at my mint-condition Marvel Value Stamp – which by the way is of J. Jonah Jameson.

No wonder I didn’t cut that one out.

Plastic Fantastic

2008-08-09T06:33:00.000-07:00

A quick review of some recent toy acquisitions:

Star Wars The Force Unleashed Battle-Damaged Darth Vader (Hasbro) – I buy very, very few Star Wars figures anymore but once in a while one comes along that I just have to get. It’s hard to put into words why I wanted this particular Vader figure – I don’t know anything about this game it’s based on, or care – but part of it is that I’ve always been fascinated with the Anakin Skywalker that lurks beneath the armor of Darth Vader. This figure is both insane and cool, broaching the secrecy of who Vader is within the fiction of the pre-First Trilogy era and daring to present a Dark Lord that can be this damaged by an opponent. The detail is great with fun pieces that detach and give glimpses of the both the ravaged Anakin underneath and his “more machine than man” parts. I dig the package graphics, too. Hasbro’s got some of the Star Wars action figure mojo back its lost in more recent years with this and the McQuarrie concept figures.

New Teen Titans Series 2 Robin (DC Direct) – I’m not a huge Titans fan but I am a pretty big Dick Grayson Robin fan and this figure looked so good in the solicitations. I’m happy to say that the actual production figure is almost as good, with a fantastic sculpt, good paint apps, and enough articulation to satisfy a few display poses. This figure partnered with DC Direct’s First Appearance Robin, the Silver Age Robin from the boxed set, and the 1/6 scale Robin complete a quartet of Robin goodness that I could only have dreamed of as a kid; I can’t imagine needing any more Dick Grayson Robins after this. My only small gripes are the over-abundance of blue, blobby highlights on the hair and the decidedly unimaginative stand graphics.

Showcase Presents Series 1 Hawkman (DC Direct) – In the upcoming “Hawkman Companion” from TwoMorrows I wrote in my contributor bio that I thought the ultimate/perfect Hawkman action figure had yet to be made – well, this might be it, kids. I love the sculpting on this one. It portrays both strength and oddly enough a kind of grace, which if you look at Joe Kubert’s art could hardly come as a surprise. The wings fit easily into the holes in the figures back and are designed to help Carter stand perfectly. The Morningstar accessory is very nice indeed and the mask fits snugly. My caveats here would be that the “pupil” paint apps on the mask’s “eyes” are too stark, not being connected to the upper eyelid like in the original artwork and the solicitation pics. It gives the figure a bug-eyed look. Also, it seems as if the original prototype had a ball-jointed neck or it was originally sculpted in a straight-ahead fashion. The production figure’s head is stuck looking downward. Small nitpick.

Marvel Mighty Muggs The Thing (Hasbro) – God help me but I’m now a Mighty Muggs fan. I resisted at first, viewing them simply as mass-produced knock-offs of the whole “artist/designer toy” craze, but these little guys wormed their way into my heart. It was this very one, The Thing, that did it. Other Star Wars and Marvel Mighty Muggs came and went under my gaze but ol’ Ben Grimm, my favorite Marvel hero, is so cool as a Mugg that I broke down and picked him up at Wizard World Chicago. I appreciate the heck out of the deco’ing on these figures and coupled with some really nice package graphics makes for a wonderful little treat – and a nice break from “standard” action figures. Now I just have to control myself. If they make a Son of Satan, Black Knight, or Stingray Mighty Mugg – I’m sunk.

DC Minimates Series 7 Blackhawk & Sgt. Rock (DC Direct/Art Asylum) – DC Minimates are dead – but what a way to go-go. I know this set has been out for a little while but I just got around to picking them – and glad I did. These two soldiers are loaded up with “extras”, unique pieces that are above and beyond the call of duty for Minimates. I’m a huge Blackhawk fan so this set was a must for me and the Rock figure reminds me of so many great “Brave & the Bold” stories of my kid-dom was an added bonus. The little pistols look cool in Blackhawk's hands and while Rock can’t really hold his rifle properly his rugged “chest” piece has sculpted ammo clips, grenades, and a knife. If that wasn’t enough, his helmet comes off to reveal his deco’ed buzzcut – too cool. If only Blackhawk’s hat was removable without taking his hair along with it. Ah well, the series is on its last legs and I’m very, very glad to have gotten these characters in it before they play “taps”.

I Am Car Owner, Hear Me Whine

2008-05-29T16:58:00.001-07:00

I have a love/hate relationship with automobiles.

Where am I coming from with this? I just got socked with an $800 car repair bill today. Wow, it hurt just to type that.

I love the way they get us to where we're going, and provide heat in the winter and cool in the summer. Otherwise I hate them. I hate how they won't run forever and forever and forever unless you take care of them. What kind of world is this? If I didn't have to own a car, I wouldn't.

I don't have that much-vaunted American "love affair" with automobiles. It's just not in my genetic makeup, I guess. I don't care about the makes, and styles, and models, and all that. I don't care about how much horsepower they have or what kind of engine's under the hood or if they have sun roofs or any of that jazz. I need a car to run, run well, and to have a way to lock them. That's about it.

Here's what I've learned today: never, ever take your car into the shop for anything. Because, you know what? They'll need something repaired. Something other than what you took them in for. I went in for an oil change and a tire rotation, and oh, did I get rotated. Still spinning, in fact.

So, there goes my monthly bonus from work, my freelance writing check, and a sizable chunk of my tax refund. Its as if somebody somewhere said "Hey, Jim's got some money! He doesn't need that! Somebody else needs it more!" Don't laugh; you know its true.

So, that's my whine. It only hurts when I sit.

I hope my car doesn't read this. I wouldn't want to hurt its feelings.

Ohio Beard & the Crystal-Clear Yet Annoying Reminders

2008-05-24T06:07:00.000-07:00

This was an odd week, one in which I got a few hard-core reminders that I’m getting older. Which kind of sucks, you know. Not overly complaining, mind you, just sayin’.

On Tuesday I got the biopsy report on a spot on my eyebrow that I had removed a week and a half ago: basal cell skin cancer. It’s a topical variety, nothing that gets bad unless you do nothing about it. I had it cut off so I guess that counts as doing something. Doc told me there’s a very small chance of it coming back and from here on out I just get regular look-overs. My mother and sister both have forms of skin cancer so I took this very seriously. I feel good about what the steps I took but as I was told this was a result of a sun-event that probably took place about thirty-five years ago, it made me feel old.

Thursday I went in for an eye exam, first one in at least ten years (I know, I know) and yes, as I guessed, I need bifocals. If Tuesday made me feel old, Thursday made me feel ancient – and the capper was yet to come.

After my eye exam I went to see “Indiana Jones and the Incredibly Long Title of the Kingdom of the Crystal Skulls” and it’s sixty-something star. That made me reflect on the first three Indy movies and that made me feel oldly-old-ancienty-old. Then Karen Allen appeared on-screen and my mortality flew out the window and into a nearby trash can.

I liked the film a lot, though, and got a big kick out of it. I wouldn’t want to see them try it again but I appreciated everything that went into it and would gladly give it another screening. It should be viewed simply as another Indiana Jones film, albeit one made in and made for the 21st century. Looking at in any other way would be foolish, I think. Its not Tolstoy or Shakespeare or even McCartney and Lennon; its Indiana Jones and its one heckuva fun way to spend a few hours.

The Sleeper Awakens...

2008-05-18T10:11:00.000-07:00

Just finished reading THE SOMNAMBULIST, the debut novel from Jonathan Barnes. It's a very good book, not great, but very good.

It's a Victorian-era mystery/thriller/fantasy, full of weird characters and even weirder events. The main character is an aging stage magician who moonlights as a private investigator. His "sidekick" is a golem-like being known only as, you guessed it, the Somnambulist. This is barely the tip of the iceberg.

What keeps it from being great is, to me, a sort-of schizophrenia. The author doesn't seem to sure exactly what tone he wants to set here or what exactly he wants the novel to be. I'm all for way-out stuff, no problem there, but there are many moments in the narrative that are unsettling when compared to other parts. There are scenes of such hideous violence and rather strong language alongside much milder set pieces - the result is bumpy. I also never quite "believed" the setting, i.e., I wasn't get the full feeling of being in London of the time period. If that was on purpose, it didn't work.

On the upshot, there are a few characters that I loved, namely the sister of our protagonist, a crusading proto-feminist, and a pair of weirdos that you simply will have to read of to believe. By the end you will miss them yet also be glad they are no longer at your side. They're that weird. And there's a revelation towards the end which was an honest surprise for me and livened up the action.

Unfortunately, Edward Moon, the lead, isn't that gripping of a protagonist and is more pitiable than anything. His housekeeper pulls more sympathy and emotion from you than he.

All in all, I'm glad I read it. It's plot, that of struggling against an unknown faction desiring to change London to its own vision, is one that I suspect the author sees much similarity in a certain organization of today. If you read it as I did, and you agree with the satire or lampooning, it can be rewarding.

Down the Bat Pole to WallyWorld: A Geek's Tale

2008-05-13T16:52:00.000-07:00

So I stopped by WalMart today on my way from one of my work locations to another - the only reason I go there is to look for toys. For some reason I've found that its the retailer I have the most luck with, (home of McQuarrie Concept Star Wars action figures!) and this particular 'Mart is kind of away from scalping eyes. Anyway, I had heard that the new 1/50 wave of Bat-vehicles from the fine folk at Hot Wheels/Mattelwere hitting the Wally shelves and I felt lucky today -- turns out the ol' Spidey-sense was hitting the high notes as I stumbled upon the aforementioned Bat-vehicles. First I espied an empty cardboard dump/display for them, then saw a down-on-one-knee employee unpacking in another aisle, then the plastic and metal crack themselves over by the action figures (not the Hot Wheels section). Checking myself and realizing I had little to no shame or scruples left in me, I approached the employee, sheepishly, sheepishly.

"Excuse me," say I, head bowed, reverential. "I hate to be a geek about it -- but do you have any more of these?" I held up the 1/50 Bat-cycle from the 1966 Batman show, it clearly being cool but not the 1/50 Batmobile I was really looking for.

The employee smiled up at me, knowingly, judging me for geek-ness. Was I only funning him or was I truly a geek? So many had approached His Holiness, but never admitting said geek-ness in such an up-front manner.

"No," he said. "That's all that's left."

I stammered that there was an empty dump, seemingly just unpacked, and, and, and... Alas, he was a wall. A brick wall. Another Wally soldier, a bulwark against middle-aged geeks such as myself, admitted or otherwise. The sacred wafers-with-wheels had long been unpacked and rifled through by other pilgrims. Hosannah.

I grasped my Bat-cycle to my bosom, happy that I had at least something to show for my digression to the holy playing fields of Elysium - known here on Midgard as WalMart.

I am richer for it.